Guidebook for Barcelona
Everything Else
CaixaBank
68 Carrer de SardenyaBank
Food Scene
Balthazar
189 Carrer del RossellóCheap menu and quality
Toto
246 Carrer de ValènciaRestaurant
La Camarga
117 Carrer d'AribauRestaurant
Shopping
Dolce&Gabbana
95 Pg. de GràciaShooping
Giorgio Armani Retail S.R.L. Sucursal En España
47 Pg. de GràciaShooping
Louis Vuitton Barcelona Paseo De Gracia
80 Pg. de GràciaShooping
Adidas Performance Store
Shooping
Nike Barcelona
17 Pg. de GràciaShooping
Essentials
Mercadona
366 C. del Consell de CentSupermarket
Arts & Culture
Gaudi House Real Estate
192 Carrer de Sant Antoni Maria ClaretGaudi
Opened to the public in 1963, the Picasso Museum houses early works by the Spanish artist which show not only his evolution at the beginning of his career, but also his links with the city. The 4,249 works comprised in the collection make this a world-class museum and a must for any visitor to Barcelona.
1655 místní doporučují
Picassovo muzeum
15-23 Carrer de MontcadaOpened to the public in 1963, the Picasso Museum houses early works by the Spanish artist which show not only his evolution at the beginning of his career, but also his links with the city. The 4,249 works comprised in the collection make this a world-class museum and a must for any visitor to Barcelona.
A museum dedicated entirely to the artist Antoni Tàpies. Get to know this Catalan artist through the English language audio guide for the permanent exhibition – it’s included in the price of admission.
It is walking distance from the flat and it is a beautiful appartment.
118 místní doporučují
Fundacio Antoni Tapies
255 C/ d'AragóA museum dedicated entirely to the artist Antoni Tàpies. Get to know this Catalan artist through the English language audio guide for the permanent exhibition – it’s included in the price of admission.
It is walking distance from the flat and it is a beautiful appartment.
Lugares emblemáticos
Gaudí’s masterpiece and prime example of Catalan modernism, the Sagrada Familia (Church of the Holy Family) is the most popular sight in Barcelona. This large basilica is striking not only because of its whimsical shapes, but also because it is still under construction.
The first stone of the Sagrada Familia –a church which occupies a whole block in the Ensanche– was laid in the year 1882. Construction started one year later under architect Francisco de Paula del Villar y Lozano, who had planned a building in Neo-Gothic style. Due to some disagreements with the promoter of the project, bookseller Josep Maria Bocabella, and the architect who advised him, Joan Martorell, Francisco de Paula abandoned the project soon after starting it.
It was then that Gaudí, a 31-year-old architect who had worked as an assistant to both Francisco de Paula and Joan Martorell, took over the project. He devoted the rest of his life to it, at first in parallel with other works, but in his last years in an exclusive manner: given that Gaudí worked with sketches and took many of his decisions on the go as the works advanced, his presence on the construction site was indispensable.
As soon as he was put in charge, the first thing Gaudí did was to change completely all that had been planned. He designed a totally different building (except for the crypt, which had already been built), in which the most important elements are the 18 towers that rise high with a parabolic profile. Once the building is completed, it will have four towers above each of its three façades (a total of twelve towers representing the Apostles), two large central dome-towers dedicated to Jesus and the Virgin, and four other towers (the Evangelists) surrounding them. As can be seen, symbols play an important role in the design of the building. Other remarkable features are the naturalistic shapes that Gaudí employed, as well as the parabolic arches. Both are very frequent elements in his buildings.
During Gaudí’s lifetime, only the Nativity façade was completed. The architect, aware that the construction would last several decades, decided to leave a series of models and sketches so that future generations could continue with the works following the original plan. However, during the Civil War a fire razed the crypt –which Gaudí had used as a workshop– and destroyed a large part of the material. After the fire, some fragments of the models could be retrieved, and, with the help of some photographs of them, new models were created with which the works could continue.
3229 místní doporučují
La Sagrada Cerveseria
16 Plaça Sagrada FamíliaGaudí’s masterpiece and prime example of Catalan modernism, the Sagrada Familia (Church of the Holy Family) is the most popular sight in Barcelona. This large basilica is striking not only because of its whimsical shapes, but also because it is still under construction.
The first stone of the Sagrada Familia –a church which occupies a whole block in the Ensanche– was laid in the year 1882. Construction started one year later under architect Francisco de Paula del Villar y Lozano, who had planned a building in Neo-Gothic style. Due to some disagreements with the promoter of the project, bookseller Josep Maria Bocabella, and the architect who advised him, Joan Martorell, Francisco de Paula abandoned the project soon after starting it.
It was then that Gaudí, a 31-year-old architect who had worked as an assistant to both Francisco de Paula and Joan Martorell, took over the project. He devoted the rest of his life to it, at first in parallel with other works, but in his last years in an exclusive manner: given that Gaudí worked with sketches and took many of his decisions on the go as the works advanced, his presence on the construction site was indispensable.
As soon as he was put in charge, the first thing Gaudí did was to change completely all that had been planned. He designed a totally different building (except for the crypt, which had already been built), in which the most important elements are the 18 towers that rise high with a parabolic profile. Once the building is completed, it will have four towers above each of its three façades (a total of twelve towers representing the Apostles), two large central dome-towers dedicated to Jesus and the Virgin, and four other towers (the Evangelists) surrounding them. As can be seen, symbols play an important role in the design of the building. Other remarkable features are the naturalistic shapes that Gaudí employed, as well as the parabolic arches. Both are very frequent elements in his buildings.
During Gaudí’s lifetime, only the Nativity façade was completed. The architect, aware that the construction would last several decades, decided to leave a series of models and sketches so that future generations could continue with the works following the original plan. However, during the Civil War a fire razed the crypt –which Gaudí had used as a workshop– and destroyed a large part of the material. After the fire, some fragments of the models could be retrieved, and, with the help of some photographs of them, new models were created with which the works could continue.
Park Güell offers the perfect surroundings to enjoy some modernist architecture and a pleasant stroll through the park at the same time. Designed by Gaudí under the patronage of entrepreneur Eusebi Güell, it was meant initially to be a housing development for Barcelona’s bourgeoisie.
In the height of Barcelona’s urban growth and construction under Plan Cerdà, Güell wanted to provide the city with a British-style residential park (hence its English name). He chose to build the park on the Montaña Pelada, a hill with unbeatable views over the sea and the plain. The space was divided into 60 plots, and paths, stairs and walkways were built. Strict construction rules were established: the buildings should not take up more than one sixth of each plot, they could not be very high and they should not block the neighbors’ views and light.
Construction started in the year 1900 and, apart from the paths and walkways, a big porticoed square, the pavilions at the entry, the outer fence and the main stairway were built. However, the project was abandoned in 1914 due to the lack of buyers. During Güell’s lifetime the park, although still his private property, was used for public events; after his death, the municipality purchased it, and what was originally meant to be a residential area was converted into a public park.
2138 místní doporučují
Park Güell
Park Güell offers the perfect surroundings to enjoy some modernist architecture and a pleasant stroll through the park at the same time. Designed by Gaudí under the patronage of entrepreneur Eusebi Güell, it was meant initially to be a housing development for Barcelona’s bourgeoisie.
In the height of Barcelona’s urban growth and construction under Plan Cerdà, Güell wanted to provide the city with a British-style residential park (hence its English name). He chose to build the park on the Montaña Pelada, a hill with unbeatable views over the sea and the plain. The space was divided into 60 plots, and paths, stairs and walkways were built. Strict construction rules were established: the buildings should not take up more than one sixth of each plot, they could not be very high and they should not block the neighbors’ views and light.
Construction started in the year 1900 and, apart from the paths and walkways, a big porticoed square, the pavilions at the entry, the outer fence and the main stairway were built. However, the project was abandoned in 1914 due to the lack of buyers. During Güell’s lifetime the park, although still his private property, was used for public events; after his death, the municipality purchased it, and what was originally meant to be a residential area was converted into a public park.
Of all Gaudí’s works, Casa Batlló is probably the most fanciful one, and the one that impresses most with its play of shapes and colors. Despite appearances, the house was not built from scratch: it is a remodel of a previous mansion that stood on number 43, Passeig de Gràcia.
The mansion, built in 1877, was purchased in 1903 by Josep Batlló, an important businessman in the textile industry. Wishing to have a house that was unlike any other house, he commissioned Gaudí to refurbish the mansion completely. After a thorough renovation of the building between 1904 and 1906, the result was a house full of bright colors and organic shapes. The roof looks like the back of a dragon covered in scales, which together with the cross on top of the turret, seems to allude to the legend of Saint George, patron saint of Barcelona.
1846 místní doporučují
Casa Batlló
43 Pg. de GràciaOf all Gaudí’s works, Casa Batlló is probably the most fanciful one, and the one that impresses most with its play of shapes and colors. Despite appearances, the house was not built from scratch: it is a remodel of a previous mansion that stood on number 43, Passeig de Gràcia.
The mansion, built in 1877, was purchased in 1903 by Josep Batlló, an important businessman in the textile industry. Wishing to have a house that was unlike any other house, he commissioned Gaudí to refurbish the mansion completely. After a thorough renovation of the building between 1904 and 1906, the result was a house full of bright colors and organic shapes. The roof looks like the back of a dragon covered in scales, which together with the cross on top of the turret, seems to allude to the legend of Saint George, patron saint of Barcelona.
Casa Milà, popularly known as “La pedrera” (“The Quarry”) because of its stone façade resembling a quarry, is one of Gaudí’s most famous buildings.
It was commissioned in 1906 by businessman Pere Milà i Camps and his wife Roser Segimon i Artells. Their idea was to build a private house for themselves and, at the same time, to have some apartments for rent in the most rapidly growing urban area at the time in Barcelona, the Ensanche. The house was designed as two independent blocks with separate accesses, but communicated by inner courtyards. The innovating construction method, based on the use of pillars, allowed the creation of wide open spaces and numerous openings on the façade. Other remarkable elements are the movement of the façade, with its sinuous lines, and the naturalistic decorations.
1825 místní doporučují
Casa Milà
92 Pg. de GràciaCasa Milà, popularly known as “La pedrera” (“The Quarry”) because of its stone façade resembling a quarry, is one of Gaudí’s most famous buildings.
It was commissioned in 1906 by businessman Pere Milà i Camps and his wife Roser Segimon i Artells. Their idea was to build a private house for themselves and, at the same time, to have some apartments for rent in the most rapidly growing urban area at the time in Barcelona, the Ensanche. The house was designed as two independent blocks with separate accesses, but communicated by inner courtyards. The innovating construction method, based on the use of pillars, allowed the creation of wide open spaces and numerous openings on the façade. Other remarkable elements are the movement of the façade, with its sinuous lines, and the naturalistic decorations.
The Church of Santa María del Mar is one of Barcelona’s little gems. It was built in the 14th century with money contributed by merchants and tradesmen, and with the labor of the district‘s inhabitants. Given that all the funding and work came from the parishioners, it was decided that the church would belong solely to them.
The church, built in Catalan Gothic style, is remarkable for its light and spacious interior. It has three aisles, with side chapels and an ambulatory. The side aisles are exactly half as wide as the central one and nearly as high as it, although they are slightly lower. This, combined with the wide arches and the slender columns that support them, makes the interior unusually light and spacious. All the columns are octagonal and the ceiling is made of simple ribbed vaults; the lack of ornamental features gives a sober look to the interior, strengthening the impression of spaciousness.
691 místní doporučují
Bazilika Santa Maria del Mar
1 Plaça de Santa MariaThe Church of Santa María del Mar is one of Barcelona’s little gems. It was built in the 14th century with money contributed by merchants and tradesmen, and with the labor of the district‘s inhabitants. Given that all the funding and work came from the parishioners, it was decided that the church would belong solely to them.
The church, built in Catalan Gothic style, is remarkable for its light and spacious interior. It has three aisles, with side chapels and an ambulatory. The side aisles are exactly half as wide as the central one and nearly as high as it, although they are slightly lower. This, combined with the wide arches and the slender columns that support them, makes the interior unusually light and spacious. All the columns are octagonal and the ceiling is made of simple ribbed vaults; the lack of ornamental features gives a sober look to the interior, strengthening the impression of spaciousness.
Excursions outside the city
Sitges is groaning with art and culture. With an international film festival and countless fiestas throughout the year, there's never a dull time to visit. The impressive architectural and cultural heritage is a result of various artists turning the town into an important centre of the Catalan Modernist Movement.
Located just 30 minutes south of Barcelona, Sitges has been described as the Saint-Tropez of Spain thanks to its glitzy beach crowd and lively nightlife. Renowned for its LGBT-friendly atmosphere as well as its world-famous horror film festival, Sitges has plenty to offer visitors.
379 místní doporučují
SITGES
Sitges is groaning with art and culture. With an international film festival and countless fiestas throughout the year, there's never a dull time to visit. The impressive architectural and cultural heritage is a result of various artists turning the town into an important centre of the Catalan Modernist Movement.
Located just 30 minutes south of Barcelona, Sitges has been described as the Saint-Tropez of Spain thanks to its glitzy beach crowd and lively nightlife. Renowned for its LGBT-friendly atmosphere as well as its world-famous horror film festival, Sitges has plenty to offer visitors.